The Arion Press Catalogue
The following is a
short-title directory of the complete catalogue of Arion
Press publications:
93. Poetry
of Saphho by John Daley with Page
Dubois, with 20 prints by Julie Mehretu
92. A
Delicate Balance by Edward Albee, with 4 illustrations by Tom Holland, 2011
91. The
Sundial by Shirley Jackson, with illustrations by Miles Hyman, 2011
90. South
of Heaven by Jim Thompson, with 44 illustrations by Raymond Pettibon, 2010.
89. Book II of Don Quixote by
Miguel de Cervantes, translated by Edith Grossman,
with 55 prints by William T. Wiley, 2010.
88. Our
Man in Havana, by Graham Greene, with 28 illustrations by
William Hamilton, 2010.
87. I
Love My Love by Helen Adam, with
16 prints by Kiki Smith, in accordion-fold format, in box, 2009.
86. Book I of Don Quixote by Miguel de Cervantes, translated by Edith Grossman, with 42
prints by William T. Wiley, 2009
85. Mrs.
Bridge by Evan S. Connell,
with 68 color and black-and-white photographs by Laurie Simmons, 2009.
84. The
Nachman Stories by Leonard Michaels, with nine photographic portraits of the
author, 2009.
83. The
Structure of Rime by Robert Duncan,
with etchings by Frank Lobdell, and an introduction
by Michael Palmer, 2008.
82. Tono-Bungay by H. G. Wells, with 14 portraits by Stan
Washburn, 2008.
81. Sampler, selection of 200 poems by Emily Dickinson, with prints by Kiki
Smith, 2007.
80. The
Boobus and the Bunnyduck, facsimile of a unique artist book made by Jess in 1957 from a
children's story by Michael
McClure, in accordion-fold format, in box with booklet, 2007.
79. The
Waste Land by T. S. Eliot, with
illustrations from the painting If Not, Not by R. B. Kitaj,
an essay on the poem by Helen
Vendler, and an
essay on the painting by Marco Livingstone, 2007.
78. Journey
Round My Room by Xavier de Maistre, with photographs and a housing for the book by
Ross Anderson, 2007.
77. Godot, an imaginary staging by William T. Wiley of Waiting for Godot by Samuel Beckett, with an introduction by David
Littlejohn, program note and synopsis by Andrew Hoyem, and an afterword by
William T. Wiley, 2006.
76. A
Day in the Bleachers,
by Arnold Hano, with illustrations by Mark Ulriksen, 2006.
75. The
Memoirs of Benjamin Franklin, published in honor of the three-hundredth anniversary of his
birth, 2006.
74. A
Coney Island of the Mind,
poems by Lawrence Ferlinghetti with portraiture by R.
B. Kitaj, 2005.
73. Gloria, twenty-eight poems by Bill Berkson with twenty-five etchings by Alex Katz, 2005.
72. Orlando,
A Biography, the novel by Virginia Woolf, with ninety-three color
photographs by Diana Michener, 2005.
71. The
Theory of Relativity by Albert Einstein, a centennial edition of
the two key papers of 1905, with foreword, annotations, and afterword by Professor
Richard A. Muller of the University of California at Berkeley, 2005.
70. The
Age of Innocence, the novel by Edith
Wharton, with an introduction by Diane Johnson, thirty-two color photographs by
Stephen Shore, and with a note on the photographs by Sandra S. Phillips, 2004.
69. William
Blake and Paradise Lost, a portfolio of thirteen facsimiles of watercolor drawings
reproduced for the first time at full scale from the originals in the Henry E.
Huntington Library, published to accompany the Arion
Press edition of Paradise Lost, publication no. 64. Descriptions and
commentaries by Robert N. Essick and John T. Shawcross, 2004.
68. Tartuffe, a comedy in five acts by Molière,
translated and with an introduction by Richard Wilbur and illustrated by
William Hamilton. Signed by translator and artist, 2004.
67. Squarings, a sequence of 48 poems by Seamus Heaney, with 48 new drawings
by Sol LeWitt and an introduction by Helen Vendler. Signed by poet and artist, 2003.
66. The
Performing Word, Selected Poems by
Frederick W. Reid, edited by Glenn Todd and with a foreward
by Andrew Hoyem, 2003.
65. Trout
Fishing in America by Richard Brautigan,
with a preface by Ron Loewinsohn and a
photographic portrait of the author by Edmund Shea, and in half the edition a
color lithograph by Wayne Thiebaud, 2003.
64. Paradise
Lost by John Milton, the
poem in twelve books, edited and with a note on the text by John T. Shawcross, introduction by Helen Vendler,
2002. Sold as a set with publication 69.
63. The
Ballad of Lemon & Crow by Glenn Todd, new fiction, with 6 photogravures by Bruce
Conner and anonymous artists, signed, 2002.
62. Arcadia
by Tom Stoppard, with
a foreword by the playwright, an introduction by Diana Ketcham,
and four views of Sidley Park by William Matthews, 2001.
61. The
Voices of Marrakesh by Elias Canetti, afterword by Ferdinand Protzman, 29 photographs by Karl Bissinger,
and 6 etchings by William T. Wiley, 2001.
60. The
Holy Bible, 2000.
59. Cane by Jean Toomer,
with woodblock prints by Martin Puryear. August,
2000.
58. The
Price by Arthur Miller,
with eight drawings by Stan Washburn, signed by author and artist, 1999.
57. Invisible
Cities by Italo Calvino, translated and with a new introduction by
William Weaver, with 12 drawings by Wayne Thiebaud,
signed, 1999.
56. Kora in
Hell by William Carlos
Williams, prose-poetry from 1920, with an introduction by Lawrence Kart, and 21
prints by Mel Kendrick, signed, 1998.
55. The
Alienist by Machado de Assis, a novella from Brazil, 1881, translated from the
Portuguese by Alfred Mac Adam, with 12 drawings by Carroll Dunham, signed,
1998.
54. With
the Night Mail by Rudyard Kipling,
science fiction from 1904 predicting aeronautics in 2000 by lighter-than-air
craft, with an introduction by Thomas Pinney, and 32
two-color illustrations by Vincent Perez, signed, 1998.
53. Shakespeare's
Sonnets, edited and introduced
by Helen Vendler, 1997.
52. Ape
& Cat, 18 photogravures by
Jim Dine in an accordion-fold album, with The Madonna of the Future by
Henry James, introduction by Arthur Danto, two volumes in box with lead-alloy
bas-relief sculpture by Dine on lid, signed, 1997.
51. Williwaw by Gore Vidal, fiftieth anniversary of his
first novel, with plans for the ship that is the setting of the story, and
photographs of the author, signed, 1996.
50. Genesis, translated from the Hebrew by Robert Alter,
facing Hebrew and English texts, with a two-color etching on chine-collé by Michael Mazur, signed, 1996.
49. Christian
Symbols by Rudolf Koch and
Fritz Kredel, 158 emblems from the history of
Christianity, German translated by Kevin Ahern, reissue in book form of rare
portfolio (1932-35), a resource for designers, scholars, and churches, 1996.
48. The
Silverado Squatters
by Robert Louis Stevenson, on his honeymoon in California in 1880, introduction
by Oscar Lewis and notes by James D. Hart, with 16 photographs by Michael Kenna of sites described by Stevenson, signed, 1996.
47. Herman
Melville: Selected Poems,
edited and with introduction by Helen Vendler,
frontispiece portrait by Barry Moser, signed, 1995. Companion
to Moby-Dick.
46. Lie,
Sit, Stand, Be Still by Michael McClure, introduction by the poet, 24 sheets of
poetry interleaved with 24 lithographs by Robert Graham, in box with bronze
bas-relief sculpture by Graham, signed, 1995.
45. Call
It Sleep by Henry Roth, the
novel from 1934, with 48 photographs from New York City in 1907-13, the time of
the story, signed. 1995.
44. The
Physiology of Taste
by Jean Anthelme Brillat-Savarin, the culinary
classic, translated from the French with notes by M. F. K. Fisher, with over
200 drawings and nine color lithographs by Wayne Thiebaud,
signed, 1994.
43. Pale
Fire by Vladimir Nabokov,
with a frontispiece portrait of the author by Andrew Hoyem, 1994.
42. A
Christmas Carol by Charles Dickens,
introduction by Paul Davis, with 50 relief prints in colors by Ida Applebroog, signed, 1993.
41. The
Case of the Wolf-Man
by Sigmund Freud, introduction by Richard Wollheim,
with 5 etchings and 6 woodcuts by Jim Dine, signed, 1993.
40. The
Art of English Shooting
by George Edie, reprinting a 1775 guide to young sportsmen in the field,
preface by Andrew Hoyem, 1993.
39. A
Lie of the Mind by Sam Shepard, the play, with 15 drawings by Stan Washburn and a
CD of Red Clay Ramblers' music from the first production, signed, 1993.
38. Kaddish,
White Shroud, and Black Shroud by Allen Ginsberg, introduction by Helen Vendler,
with a lithograph by R. B. Kitaj, with extra print on
larger handmade paper, signed, 1992.
37. American
Buffalo by David Mamet, the
play, with 5 wood engravings by Michael McCurdy, accompanied by The Cabin,
essay by Mamet, signed, 1992.
36. Thirty-three
Sonnets of Guido Cavalcanti, translated by Ezra Pound, with introductory
essays by Hugh Kenner and by Lowry Nelson, Jr., who edited the Italian texts
and prepared prose translations and commentaries, and with an etching in colors
by Joseph Goldyne, signed, 1991.
35. Eureka, An Essay on the
Material and Spiritual Universe by Edgar Allan Poe, introduction by Glenn Todd,
with 8 relief prints by Shusaku Arakawa, signed,
1991.
34. On
Certainty by Ludwig
Wittgenstein, introduction by Arthur Danto, with 12 relief prints by Mel Bochner, with suite of 12 larger-format prints, in
portfolio, signed, 1991.
33. Go
Your Stations, Girl
by Carl R. Martin, highly praised first book by this contemporary poet,
introduction by Andrew Hoyem, signed, 1991.
32. Biotherm by Frank O'Hara, essay
and glossary by Bill Berkson, with 42 lithographs by
Jim Dine, in portfolio, signed, 1990.
31. Poems
of W. B. Yeats, selected and
introduced by Helen Vendler, with 6 etchings by
Richard Diebenkorn, with extra suite of 6 prints on
larger handmade paper, in portfolio, signed, 1990.
30. Le Désert de Retz: Le Jardin Pitoresque de Monsieur de Monville;
A Late Eighteenth-Century French Folly Garden by Diana Ketcham,
preface by Olivier Choppin de Janvry,
text in English and French, illustrated with historical views of the park and
related sites, facsimiles of the 26 engravings of Le Rouge from 1785, and 32
photographs of the grounds and fabriques by Michael Kenna, 1990.
29. The
World by Czeslaw Milosz, with an introductory essay by Helen Vendler and a portrait of the poet in dry-point engraving
with chine collé by Jim Dine, signed,
1989.
28. How
I came to be governor of the island of Cacona by Francis Thistleton,
a satire on colonial government, with an introduction by Robertson Davies and
22 drawings by Andrew Hoyem, 1989.
27. Ulysses by James Joyce, with 40 etchings, of which 20
are in color, by Robert Motherwell, signed, 1988.
26. The
Life and Opinions of Tristram Shandy,
Gentleman by Laurence Sterne,
with an essay by Melvyn New and with 39 photo-collage
illustrations by John Baldessari, signed, 1988.
25. A
Moral Fable-talk, an emblem book from
1586, translated by Arthur Golding, edited by R. G. Barnes, reproducing 125
etchings by Marcus Gheeraerts, 1987.
24. Captivity
Narrative of Hannah Duston, related by Cotton Mather, John Greenleaf
Whittier, Nathaniel Hawthorne, and Henry David Thoreau, introduction by Glenn
Todd, with 35 woodblock prints by Richard Bosman,
signed, 1987.
23. & 22. What
If by Andrew Hoyem, and,
Diary of a Non-Deflector by Jim Dine, two volumes of poetry, with
portrait etchings by Dine reproduced on soft covers, signed, 1987.
21. The
Constitution of the United States of America, with a preface by Warren E. Burger and an
introduction by Daniel J. Boorstin, 1987.
20. Birds
of the Pacific Slope,
156 bird portraits by Andrew Jackson Grayson (1816-69), in portfolio box, with
companion volume, a biography of Grayson by Lois Stone and Grayson's
ornithological notes, 1986.
19. The
Big Sleep by Raymond Chandler,
with an introductory essay by Lawrence Clark Powell, illustrated with 40
photographs by Lou Stoumen, 1986.
18. The
World Is Round by Gertrude Stein, with pictures by Clement Hurd
and with a companion volume The World Is Not Flat by Edith Thacher
Hurd, 1986.
17. Poems by Wallace Stevens, selected and with an
introduction by Helen Vendler, with a frontispiece
etching by Jasper Johns, signed, 1985.
16. The
Hound of the Baskervilles by Arthur Conan Doyle, illustrated with 50 photographs by
Michael Kenna, 1985.
15. The
Great Gatsby by F. Scott
Fitzgerald, the novel, with 97 drawings by the architect Michael Graves,
signed, 1984.
14. The
Temple of Flora, edited by Glenn Todd
and Nancy Dine; with botanical notes compiled by Glenn Todd; poetry by John Ashbery, Richard G. Barnes, Hart Crane, Robert Creeley, E. E. Cummings, Hilda Doolittle, Robert Graves,
Thom Gunn, Robert Hass, Andrew Hoyem, Ronald Johnson, Denise Levertov, Josephine Miles, Frank O'Hara, Ron Padgett,
Robert Pinsky, Sylvia Plath, Ezra Pound, Kenneth
Rexroth, James Schuyler, Edith Sitwell, Wallace Stevens, Philip Whalen,
Jonathan Williams, and William Carlos Williams; and with 28 dry-point
engravings by Jim Dine, signed, 1984.
13. Self-Portrait
in a Convex Mirror by John Ashbery, with a new foreword to the poem by the poet,
an essay on the poem by Helen Vendler printed as
liner notes on the jacket of a record album of the poet reading the poem, whose
cover has a full-scale color reproduction of the sixteenth-century painting by
Parmigianino, "Self-Portrait in a Convex Mirror", and with original
prints by Richard Avedon, Elaine de Kooning, Willem
de Kooning, Jim Dine, Jane Freilicher,
Alex Katz, R. B. Kitaj, and Larry Rivers, signed,
1984.
12. The
Lay of the Love and Death of Cornet Christoph Rilke by Rainer Maria Rilke, translated and with an
explanatory note by Stephen Mitchell, illustrated with 29 two-color drawings by
Warren Chappell, signed, 1983.
11. The
Maltese Falcon by Dashiell Hammett, illustrated with 46 period photographs of
sites in the novel, with a preface by the publisher, including an appreciation
by private investigator David Fechheimer, and an
appendix with notes on the photographs by Glenn Todd, 1983.
10. The
Apocalypse, The Revelation of Saint John the Divine from
the King James version of the Bible, with 29 woodblock
prints by Jim Dine, signed, 1982.
9. The
Typefoundry in Silhouette by Rudolf Koch,
translated by Alexander Nesbitt, with a note by Andrew Hoyem, 1982.
8. Shaped
Poetry, edited by Glenn
Todd, a suite of 30 typographic prints, each on a different handmade paper in a
wide range of typefaces and in a variety of colors, with a companion volume by
Glenn Todd and Andrew Hoyem, 1981.
7. Flatland by Edwin Abbott Abbott,
with an introduction by Ray Bradbury, illustrated with 14 line drawings and 10 diecuts by Andrew Hoyem, signed, 1980.
6. Moby-Dick,
or The Whale by Herman Melville, illustrated with 100 wood engravings by
Barry Moser, 1979.
5. The
Psalms of David and Others translated by Arthur Golding,
edited by Richard G. Barnes, with a companion volume containing Golding's
"Epistle Dedicatory" from Calvin's Commentaries (1571),
introduction, notes, and glossary, 1977.
4. A
Travel Book, written and
illustrated with 78 drawings by Fred Martin, signed, 1976.
3. Venus
and Adonis by William
Shakespeare, together with the sources for the poem in Ovid's Metamorphoses
as translated by Arthur Golding, introduction by Richard G. Barnes, 1975.
2. A
Commonplace Book of Cookery by Robert Grabhorn, with a preface by
M. F. K. Fisher, 1975.
1. Picture
Poems by Andrew Hoyem, an
illustrated catalogue of drawings and related writings, 1961-1974, prepared by
the artist and poet, published on the occasion of an exhibition, January 18 to
March 16, 1975, at the Fine Arts Museums of San Francisco, 1975