Search by Title, Author, or Keyword

Order an e-Gift Card

In these times of mediocre or non-existent customer service, I am impressed with your commitment to providing an excellent customer experience.

- Abe Schwartz

Just wanted to let you know my books arrived today (right on time!) in perfect condition. Thanks so much for the care in packing them. They are on the shelves in the library and look beautiful as well as right at home!

- Nancy Van Hoozer

The Catcher in the Rye by J.D. Salinger, Unique Fine Binding by Richard Tuttle


SKU: rtcatcher

Artist

Richard Tuttle

Title

The Catcher in the Rye by J.D. Salinger

Details of the Binding

As with all of Richard Tuttle’s pieces, this is a one of a kind binding that captures the spirit of the book and returns us to a time when books were beautiful to display as well as read. In a world of mediocrity and mass produced books, he believes important literary works are special and should be treasured and passed on to future generations.

The book has been rebound by Richard Tuttle in  pig leather covered boards with elaborate tooling to the front board and spine expressing views from the book which interestingly became Mr. Salinger’s views in later years. The front endpapers are an elaborate combination of a detective magazine similar to one Holden took on the train with him and other period memorabilia he might not want his mother to see. The final touch is a padlock to make sure that the diary is not opened by unwelcomed eyes. The binding was done in 2012.

The book measures 11” x 9”

Details of the Book

This is the 1951 large type edition of J.D. Salinger’s masterpiece, “The Catcher in the Rye” published by the Keith Jennison Division of Grolier. The internals of the book are in FINE condition.

Artist Statement

Included with the book is a signed artist statement by Richard Tuttle on the making of “The Catcher in the Rye”.

About the Artist

Richard Tuttle is a painter, writer, graphic designer, carpenter, bookbinder and lover of literature. For the past 20 years, he has combined his many interests to create one of a kind works of art that merge the written word with fine leather, paper, paint, wood and veneer.  These original book bindings have been exhibited in numerous galleries and were featured in a PBS documentary on the Chicago Art beat. Richard describes his work as follows:  “I make literary artifacts. They are designed to pull books down off the shelf and display them in the salon, gallery or home as if they were works of art, which, of course, they are. Whether binding books with leather, paper, paint, wood, and found artifacts or building sculptures to encase the volumes, I seek to find a perspective that shouts out a piece of the essence of the literary work. I try to put myself in the author's or character's mind to say something about the time it was written in; the attitude that is explored and expressed; the magic that makes it a work of art. While I obviously respect and admire the books I work on, the humor, wit and raw energy I find so attractive in their works leads me to places that some might call disrespectful, but are, for me, essential parts of these literary works. Motivated by Marcel Duchamp's attempts to elevate the object into art and William Blake's efforts to remake his world and James Joyce's efforts to include all culture and all action in one whole: Motivated by the ongoing conversation of Jazz musicians between its earliest practitioners and its most avante garde practitioners: Motivated by the great world library of "what we are" as extolled by Jorge Luis Borges: Motivated by the desire to live in a world that is conscious of itself and conscious of its ability to create itself: I create these art objects out of books in order be surrounded by a physical environment that reflects the world of ideas I want to live in.”

Additional Images

Photographs of the book as well as the front endpaper treatment appear below. Please note that although the photographs appear digitized as thumbnails, they are viewable in the photo viewer by clicking on the thumbnail.

             

PRICE:  $1,985.00
Quantity:
Ask Questions About This Product

Franklin Books Guide to Condition Descriptions

We realize that buying books online is difficult because you don't have the luxury of actually seeing the book before you make your decision. At Franklin Books, we strive to make your purchases as risk-free as possible. We follow four basic rules:

  1. We grade our books conservatively;
  2. We describe our books as extensively and accurately as possible;
  3. We pack our books tightly and securely for shipping.
  4. If you feel a book does not match our description, it is returnable for a full refund.

The following are the terms used to describe our books:

Mint - As New: The book is in the same immaculate condition as when it was published and most likely will be in the original publisher's shipping box or shrink wrap.

Fine: Normally, our highest rating. A Fine book approaches the condition of As New. Any superficial/minor fault will always be noted.

Near Fine: A book approaching FINE with minor defects which will always be noted.

Very Good: A book that shows some signs of wear on either the binding or paper. The defects will always be noted.

Good: Describes the average used worn book that has all pages or leaves present. All defects will be noted. We rarely ever list a book in Good condition unless it is of sufficient rarity to be the best available on the market.

Fair/Poor: Describes a book that has major flaws. This copy may be soiled, scuffed, stained or spotted and may have loose joints, hinges or pages. We do not sell books that are in Fair/Poor condition.

If you ever have any questions about the condition of a book, we strongly encourage you to call or email us and we will be happy to pull the book and provide you with any information you need to make an intelligent decision on your purchase.

E-mail a friend about this item.

Return to Catalog



Close  [X]

Have A Question About This Product?