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ABAA ilab
 
Free Shipping
Order an e-Gift Card

In these times of mediocre or non-existent customer service, I am impressed with your commitment to providing an excellent customer experience.

- Abe Schwartz

Just wanted to let you know my books arrived today (right on time!) in perfect condition. Thanks so much for the care in packing them. They are on the shelves in the library and look beautiful as well as right at home!

- Nancy Van Hoozer

The Raven by Edgar Allan Poe, Unique Fine Binding/Sculpture by Richard Tuttle

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Price: $1,295
SKU: rtraven
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Artist

Richard Tuttle

Title

The Raven by Edgar Allan Poe

Details of the Binding

As with all of Richard Tuttle’s pieces, this is a one of a kind binding that captures the spirit of the book and returns us to a time when books were beautiful to display as well as read. In a world of mediocrity and mass produced books, he believes important literary works are special and should be treasured and passed on to future generations.

The book has been bound by Richard Tuttle in black goat leather covered boards with feathered endpaper treatments to give the impression of a raven in flight. The binding is 10” x 12” and is designed to be able to be displayed as a free standing work of art. The book within the binding measures 4.5” x 2.5” with the back endpaper of the book bearing the books binding date and artists symbol signature. The binding was done in 2012.

Details of the Book

This is the 1995 Folio Society Edition of Edgar Allan Poe’s classic poem “The Raven” that features the engravings of George Tute.

Artist Statement

Included with the book is a signed artist statement by Richard Tuttle on the making of “The Raven”.

About Richard Tuttle

Richard Tuttle is a painter, writer, graphic designer, carpenter, bookbinder and lover of literature. For the past 20 years, he has combined his many interests to create one of a kind works of art that merge the written word with fine leather, paper, paint, wood and veneer.  These original book bindings have been exhibited in numerous galleries and were featured in a PBS documentary on the Chicago Art beat. Richard describes his work as follows:  “I make literary artifacts. They are designed to pull books down off the shelf and display them in the salon, gallery or home as if they were works of art, which, of course, they are. Whether binding books with leather, paper, paint, wood, and found artifacts or building sculptures to encase the volumes, I seek to find a perspective that shouts out a piece of the essence of the literary work. I try to put myself in the author's or character's mind to say something about the time it was written in; the attitude that is explored and expressed; the magic that makes it a work of art. While I obviously respect and admire the books I work on, the humor, wit and raw energy I find so attractive in their works leads me to places that some might call disrespectful, but are, for me, essential parts of these literary works. Motivated by Marcel Duchamp's attempts to elevate the object into art and William Blake's efforts to remake his world and James Joyce's efforts to include all culture and all action in one whole: Motivated by the ongoing conversation of Jazz musicians between its earliest practitioners and its most avante garde practitioners: Motivated by the great world library of "what we are" as extolled by Jorge Luis Borges: Motivated by the desire to live in a world that is conscious of itself and conscious of its ability to create itself: I create these art objects out of books in order be surrounded by a physical environment that reflects the world of ideas I want to live in.”